We talk to Pip Adam, author of Nothing to See, and one of four 2021 Ockham New Zealand Book Awards finalists for the Jann Medlicott Acorn Prize for Fiction

What was the inspiration behind the story?

The first thing that came for this book was the image of two identical women. Years ago I read a Sweet Valley High book for the first time and there was a scene where one of the twins was looking at the other and she reflected on seeing herself in the twin and this really interested me – the idea that you could see yourself in three dimensions. Then I started thinking about the things we wilfully ignore in order to be able to keep going as ‘normal’ and this interested me too. The problems that come from their suddenly being two of you.

What was the easiest/best thing about telling this story?  Alternatively, what was the most challenging?

The best thing about writing this book was the company of imagining a second self. I really enjoyed the imagined second me – not because I think I’m particularly awesome but because it was really nice to not be as lonely, to imagine the second body close and around. I also really enjoyed having a Tamagotchi. It was also great company. The most challenging thing was probably working out how much of what I thought was going on to tell. I think I am often too subtle and I was very grateful for the readers (Brent McIntyre, Rebecca Hawkes, Ashleigh Young and Fergus Barrowman) who helped me make things a little clearer. 

What did you learn in the course of writing this book - and was there anything that really surprised you?

I learned a lot about social media, surveillance and simulation theory for this book. And it made me question a lot of the ways I was living. Having lived through all the time periods in the book I was surprised when I thought about how my brain had been changed by technology. It was scary and exciting in equal parts.

What would be the most important thing about winning the award for you? What would it mean to you? 

I haven’t thought much about winning the award. I’ve been thinking a lot about being longlisted and shortlisted and it makes me really happy every time I think about it. I love all the books on the all the lists and not on all the lists. I think this is one of the really important things for me. To be part of communities of writing and to be adjacent to communities of writing and to be an audience for communities of writing. I am very grateful to be involved

What do you see as the significance of the Ockham New Zealand Book Awards for writers/publishers in New Zealand?

I think it’s good to celebrate. I think as writing and art-making communities we don’t often get a chance to stop and celebrate. And I think also, it’s an important symbolic moment for us to challenge as well. To sort of say, does this represent us or does it not? And in the challenge we bring to light other books that are not on the lists, other ways of publishing, other ways of ‘being a writer’. Each year, I also think about the hard and amazing work that the judges do and I think how remarkable it is that we can get a group of people together each year to talk and collaborate in this hard work. And the way writers and publishers take turns at this job. It’s an amazing service to the writing communities.

The 2021 Ockham New Zealand Book Awards shortlisted works are:

Jann Medlicott Acorn Prize for Fiction

Bug Week by Airini Beautrais (Victoria University Press)

Nothing to See by Pip Adam (Victoria University Press)

Remote Sympathy by Catherine Chidgey (Victoria University Press)

Sprigs by Brannavan Gnanalingam (Lawrence & Gibson)

Mary and Peter Biggs Award for Poetry

Funkhaus by Hinemoana Baker (Victoria University Press)

Magnolia by Nina Mingya Powles (Seraph Press)

National Anthem by Mohamed Hassan (Dead Bird Books)

The Savage Coloniser Book by Tusiata Avia (Victoria University Press)

Booksellers Aotearoa New Zealand Award for Illustrated Non-Fiction

An Exquisite Legacy: The Life and Work of New Zealand Naturalist G.V. Hudson by George Gibbs (Potton & Burton)

Marti Friedlander: Portraits of the Artists by Leonard Bell (Auckland University Press)

Nature — Stilled by Jane Ussher (Te Papa Press)

Hiakai: Modern Māori Cuisine by Monique Fiso (Godwit, Penguin Random House)

General Non-Fiction Award

Specimen: Personal Essays by Madison Hamill (Victoria University Press)

Te Hāhi Mihinare |The Māori Anglican Church by Hirini Kaa (Bridget Williams Books)

The Dark is Light Enough: Ralph Hotere a Biographical Portrait by Vincent O’Sullivan (Penguin, Penguin Random House)

This Pākehā Life: An Unsettled Memoir by Alison Jones (Bridget Williams Books)

MEDIA

For interview opportunities, author images and further information please contact: Penny Hartill, director, hPR 021 721 424, penny@hartillpr.co.nz #theockhams

*Image(s) via New Zealand Book Awards Trust

THE OCKHAM NEW ZEALAND BOOK AWARDS

Important Dates

The winners of the 2021 Ockham New Zealand Book Awards, including the four MitoQ Best First Book award winners, will be announced at a ceremony on 12 May as a public event during the 2021 Auckland Writers Festival.

Judges

The Jann Medlicott Acorn Prize for Fiction, which offers $57,000 to the winner in 2021, will be judged by writer and reviewer Kiran Dass; books editor and award-winning feature writer Paul Little; and writer Claire Finlayson, former Programme Director of the Dunedin Writers & Readers Festival. They will be joined by an international judge, whose identity will be revealed in March 2021, to decide the ultimate winner from their shortlist of four.

Finalists and the ultimate winner in the Mary and Peter Biggs Award for Poetry will be selected by writer, poet, academic and 2018 Ockham New Zealand Book Awards finalist Briar Wood (Te Hikutu ki Hokianga, Ngāpuhi Nui); teacher and award-winning poet and novelist Anne Kennedy; and professor of English at the University of Otago Jacob Edmond.

The Booksellers Aotearoa New Zealand Award for Illustrated Non-Fiction will be judged by Dale Cousens (Ngāruahine) of the National Library of New Zealand; bookseller and former publisher Brian Phillips; and writer, multi-award-winning graphic designer and magazine art director Jenny Nicholls.

The General Non-Fiction Award will be judged by editor and associate professor of English at the University of Waikato Sarah Shieff; filmmaker and lecturer in Māori history at Victoria University Wellington Arini Loader (Ngāti Raukawa, Te Whānau-a-Apanui, Ngāti Whakaue); and Dunedin bookseller Michael Yeomans.

About the Awards

The Ockham New Zealand Book Awards are the country’s premier literary honours for books written by New Zealanders. First established in 1968 as the Wattie Book Awards (later the Goodman Fielder Wattie Book Awards), they have also been known as the Montana New Zealand Book Awards and the New Zealand Post Book Awards. Awards are given for Fiction (the Jann Medlicott Acorn Prize for Fiction), Poetry (the Mary and Peter Biggs Award for Poetry) Illustrated Non-Fiction (the Booksellers Aotearoa New Zealand Award for Illustrated Non-Fiction) and General Non-Fiction. There are also four awards for first-time authors (The MitoQ Best First Book awards) and, at the judges’ discretion, Te Mūrau o te Tuhi, a Māori Language Award. The awards are governed by the New Zealand Book Awards Trust (a registered charity). Current members of the Trust are Nicola Legat, Karen Ferns, Paula Morris, Jenna Todd, Anne Morgan, Melanee Winder, Melinda Szymanik and Richard Pamatatau. The Trust also governs the New Zealand Book Awards for Children and Young Adults and Phantom Billstickers National Poetry Day.

Award Supporters

The Ockham New Zealand Book Awards are supported by Ockham Residential, Creative New Zealand, Jann Medlicott and the Acorn Foundation, Mary and Peter Biggs CNZM, MitoQ, Booksellers Aotearoa New Zealand and the Auckland Writers Festival.

Ockham Residential is Auckland’s most ardent developer. Through creating elegant and enduring buildings that are well-loved by those who make them home, Ockham hopes to enhance Auckland – and to contribute to its many communities. Founded in 2009 by Mark Todd and Benjamin Preston, Ockham supports a number of organisations in arts, science and education. These include the Ockham Collective, their creative and educational charity, the acclaimed BWB Texts series, the People’s Choice Award in New Zealand Geographic’s Photographer of the Year Award, and Ponsonby’s Objectspace gallery. But their principal sponsorship of the New Zealand Book Awards, a relationship now in its seventh year, is perhaps their most visible contribution. Says Mark Todd: “Our communities would be drab, grey and much poorer places without art, without words, without science – without critical thought. That’s why our partnership with the Ockham New Zealand Book Awards means the world to us.”

Creative New Zealand has been a sustaining partner of New Zealand’s book awards for decades. The national arts development agency of the New Zealand government encourages, promotes and supports the arts in New Zealand for the benefit of all New Zealanders through funding, capability building, an international programme, and advocacy. Creative New Zealand provides a wide range of support to New Zealand literature, including funding for writers and publishers, residencies, literary festivals and awards, and supports organisations which work to increase the readership and sales of New Zealand literature at home and internationally.

The Acorn Foundation is a community foundation based in the Western Bay of Plenty, which encourages people to leave a gift in their wills and/or their lifetimes to support their local community forever. Donations are pooled and invested, and the investment income is used to make donations to local charities, in accordance with the donors’ wishes. The capital remains intact. Since it was established in 2003, Acorn has distributed over $$8.6 million. Donors may choose which organisations are to benefit each year, or they may decide to leave it to the trustees’ discretion. Community foundations are the fastest growing form of philanthropy worldwide, and there are now 17 throughout New Zealand, with more in the early stages. The Prize for Fiction has been provided through the generosity of one of the Foundation’s donors Jann Medlicott, and will be awarded to the top fiction work each year, in perpetuity. Its base figure of $50,000 in 2016 is adjusted each year, to reflect wage inflation.

Mary and Peter Biggs CNZM are long-time arts advocates and patrons – particularly of literature, theatre and music. They have funded the Biggs Family Prize in Poetry at Victoria University of Wellington’s International Institute of Modern Letters since 2006, along with the Alex Scobie Research Prize in Classical Studies, Latin and Greek. They have been consistent supporters of the International Festival of the Arts, the Auckland Writers Festival, Wellington’s Circa Theatre, the New Zealand Arts Foundation, Featherston Booktown, Read NZ Te Pou Muramura (formerly the New Zealand Book Council), the New Zealand Symphony Orchestra, the Featherston Sculpture Trust and the Kokomai Arts Festival in the Wairarapa. Peter was Chair of Creative New Zealand from 1999 to 2006. He led the Cultural Philanthropy Taskforce in 2010 and the New Zealand Professional Orchestra Sector Review in 2012. Peter was appointed a Companion of the New Zealand Order of Merit for arts governance and philanthropy in 2013.

Founded in 1921, Booksellers Aotearoa New Zealand is the membership association for bookshops in New Zealand. This national not-for-profit trade organisation works to help independently owned and chain bookstores to grow and succeed. Booksellers Aotearoa New Zealand provides education, information, business products, and services; creates relevant programmes; and engages in public policy and industry advocacy. The association is governed by a volunteer board of booksellers.

MitoQ is one of New Zealand’s newest global success stories. Founded on breakthrough cellular research undertaken at the University of Otago, MitoQ® is the only product to directly target the mitochondria, which are responsible for producing the body’s energy. Over 400 reviews and studies have to date been published on the positive benefits of MitoQ® to health and athletic performance. MitoQ’s success has placed the company in the exciting position of being able to put back into its communities through sponsorship, particularly in the arts, which it sees as essential to the wellbeing of society. The company is delighted to support the enrichment of New Zealand literature through the MitoQ Best First Book awards.

The Auckland Writers Festival | Waituhi o Tāmaki is the largest literary event in New Zealand and the largest presenter of Aotearoa literature in the world. Established in 1999, this annual festival hosts more than 200 writers for six days of discussion, conversation, reading, debate, performance, schools, family and free events ranging across fiction, non-fiction, poetry, music, theatre, culture, art and more. Audience attendance in 2019 exceeded 83,000. 11-16 May 2021.

Ends